AWOL
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    • 2025 >
      • Tryst Art Fair 2025
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      • B-LA-M Berlin 2024
      • Tryst Art Fair 2024 >
        • Mariam Alcantara
        • Ricardo Harris-Fuentes
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        • Greg Rose
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      • "​El sol de la noche" - QiPO Art Fair CDMX 2024 >
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    • 2023 >
      • Tryst Art Fair 2023
      • SWAB Art Fair Barcelona 2023 >
        • Cherie Benner Davis
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        • Lisa DIane Wedgeworth
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        • Mariam Alcantara
        • Keith Walsh
      • "Dissonantia" - QiPO Art Fair CDMX 2023
      • "Dissonantia" - QiPO CDMX 2023 (Document)
    • 2019 >
      • "Mare Tenebrarum" - SWAB Art Fair Barcelona 2019 & Satellite Art Fair Austin 2019
      • "Zoul Zurvivor" - Satellite Art Fair Miami 2017 >
        • "Zoul Zurvivor" - QiPO Art Fair CDMX 2019
        • "Zoul Survivor" Reprise, Los Angeles 2018
    • 2015-2017 >
      • Being Earnest Shackleton '15-'17
      • The Hut at Cape Royds 2016
      • The Hut at Cape Royds 2017
      • Being Earnest Shackleton '15-'16
      • "In Between", Lisa Diane Wedgeworth, Los Angeles, 2016
      • "Town", Inaugural Exhibit, Los Angeles 2015
  • Events
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  • Jaana-Kristiina Alakoski
  • B-LA-M CDMX 2025
    • Mariam Alcantara
    • Cherie Benner Davis
    • Kata Unger
    • Thomas Whittaker Kidd
    • Jim Ovelmen
  • Past Exhibitions
    • 2025 >
      • Tryst Art Fair 2025
    • 2024 >
      • B-LA-M Berlin 2024
      • Tryst Art Fair 2024 >
        • Mariam Alcantara
        • Ricardo Harris-Fuentes
        • Thomas Whittaker Kidd
        • Siobhan McClure
        • Jim Ovelmen
        • Greg Rose
        • Andrew West
      • "​El sol de la noche" - QiPO Art Fair CDMX 2024 >
        • QIPO 2024 (espanol)
    • 2023 >
      • Tryst Art Fair 2023
      • SWAB Art Fair Barcelona 2023 >
        • Cherie Benner Davis
        • Ricardo Harris-Fuentes
        • Thomas Whittaker Kidd
        • Jim Ovelmen
        • Lisa DIane Wedgeworth
        • Andrew West
        • Mariam Alcantara
        • Keith Walsh
      • "Dissonantia" - QiPO Art Fair CDMX 2023
      • "Dissonantia" - QiPO CDMX 2023 (Document)
    • 2019 >
      • "Mare Tenebrarum" - SWAB Art Fair Barcelona 2019 & Satellite Art Fair Austin 2019
      • "Zoul Zurvivor" - Satellite Art Fair Miami 2017 >
        • "Zoul Zurvivor" - QiPO Art Fair CDMX 2019
        • "Zoul Survivor" Reprise, Los Angeles 2018
    • 2015-2017 >
      • Being Earnest Shackleton '15-'17
      • The Hut at Cape Royds 2016
      • The Hut at Cape Royds 2017
      • Being Earnest Shackleton '15-'16
      • "In Between", Lisa Diane Wedgeworth, Los Angeles, 2016
      • "Town", Inaugural Exhibit, Los Angeles 2015
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Mare Tenebrarum

​Jim Ovelmen, Andrew West
Mare Tenebrarum, 2019
Linen and polyester, acrylic painting, pvc, plastic and electrical components
116 × 167 × 167 in | 294.6 × 424.2 × 424.2 cm
​SWAB Barcelona
September 26-29, 2019
AWOL at SWAB Barcelona 2019 on Artsy https://www.artsy.net/show/awol-awol-at-swab-barcelona-2019  

Satellite Art Show SXSW
 
Austin, TX
March 13- 7, 2019

An installation in remembrance of the brief yet remarkable career of NASA’s third Mars Exploration Rover Impression that explored an area of the red planet opposite Spirit and Opportunity. It landed without incident in the isolated seabed Mare Tenebrarum, and was the first of the rovers to analyze feldspar. Darkness beset the launch of Impression on March 20th, 2003, as the first U.S. military strikes upon Iraq overshadowed media attention. The rover’s triumphant landing and power-up on February 4th 2004, was equally beset by distraction. The website launch of Facebook that day was complicated by a tiny but vociferous Flat-Mars Society campaign, proclaiming all planetary robotic missions as “hoaxes”.  Mechanical difficulties began almost immediately. Imagery received was clouded by dust, and visual interpretation was required to make sense of every picture.  Most troubling were the rover’s answers to JPL commands. Under continual observation, “Impy” (as engineers called it) exhibited behavioral problems. Routine requests returned error messages that appeared idiosyncratic. As objective operations failed, unprecedented responses became legible as language patterns. Impy’s last received transmission baffled the space community with a disquieting message that could scarcely suggest anything but machine self-awareness. During a perfect storm of extraordinary solar radiation and seasonal dust cyclones, Impy’s last transmission contained these words embedded in binary code:
 

                                                                                                                                 -My battery is low, and it’s getting dark.
 
Nothing has been heard from 
Impression since November 2, 2004. It is believed to retain low function, based on its ability to hibernate and conserve power during planetary winter.  Whatever challenges Impression experienced, it nonetheless was able to traverse vast distances across the Martian surface, entering areas still unknown.  The complete story of Impression’s mission may never be understood – until further contact, we can only conjecture.

Mare Tenebrarum is a project developed by artists Jim Ovelmen and Andrew West.
© 2025 AWOL. All rights reserved.